At the qawal (sound / voice) of the shaitah (stamping) of the parasawath (hoofs) of his abayar (strong) ones, at the raish (rushing) of his rakab (chariots), at the hamawan (rumbling) of his galagal (wheels), the abawath (fathers) don't panah (turn) back to their banayam (children) for rapayawan (feebleness) of yadayam (hands);